Provenance research has become an integral part of museum practice. In collections of modernist art, this primarily means investigating works that were stolen or extracted under duress from Jewish victims of National Socialism between 1933
and 1945. The exhibition documents the current state of our ongoing research into the holdings of the Berlinische Galerie. Set amid a salon hanging with nearly 40 paintings rarely on display, digital media present the latest findings, gaps in our knowledge and objectives for further enquiry.
Press material
Press images
Fidus (Hugo Höppener), Tempeltanz der Seele, ca. 1910, © Copyrights to the artwork expired, Repro: Berlinische Galerie (JPG, 2 MB)
Please log in to download high resolution images.
If you have any technical problems when downloading images for print, try logging in from a different browser. If the technical problems persist, please contact: presse@berlinischegalerie.de