Raoul Hausmann (1886–1971) was one of the most innovative avant-garde artists of the Modernist era. His desire to cast aside everything as we know it and replace it with “tomorrow” made him a multi-media artist of the first hour. As a Dadaist he co-invented collage, designed synaesthetic apparatus, penned experimental texts, explored the links between body, sound and space in his performances and added a haptic dimension to vision in his photography. The Berlinische Galerie will mark its 50th anniversary by showing this uniquely versatile 20thcentury œuvre, including key works from international collections and the museum’s own holdings.
Press material
Press images
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Raoul Hausmann, The Art Critic, 1919/20, Tate, Purchased 1974, © VG Bild-Kunst, Bonn 2025, Repro: © Tate (JPG, 4 MB)
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Hannah Höch and Raoul Hausmann, trés relativ, c’n’est pas Jesus, vraiment! (very relative, it’s not Jesus, really!), 1920, © VG Bild-Kunst, Bonn 2025, Repro: © Berlinische Galerie/Anja Elisabeth Witte (JPG, 1 MB)
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Raoul Hausmann, ABCD, 1923/24, Musée national d‘art moderne, Centre Georges Pompidou, Paris, Graphic Collection, Purchased 1974, © VG Bild-Kunst, Bonn 2025, Repro: © bpk/CNAC-MNAM (JPG, 2 MB)
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Raoul Hausmann, Dada in Ordinary Life (Dada Cinema), 1920, Private Collection, Houston, Texas, © VG Bild-Kunst, Bonn 2025, Repro: © Paul Hester (JPG, 3 MB)
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Raoul Hausmann, Dada Raoul, 1951, MACHV – Château de Rochechouart, © VG Bild-Kunst, Bonn 2025, Repro: © MACHV – Château de Rochechouart and Berlinische Galerie/Anja Elisabeth Witte (JPG, 1 MB)
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Raoul Hausmann, Front Portrait, 1946, Collection Bank Austria, © VG Bild-Kunst, Bonn 2025, Repro: © Alistair Fuller (JPG, 938 KB)
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Raoul Hausmann, Mr Jones Makes Poetry, 1920, Musée d‘art moderne et contemporain Saint-Étienne Métropole, © VG Bild-Kunst, Bonn 2025, Repro: © Musée d’art moderne et contemporain de Saint-Etienne Métropole/Yves Bresson (JPG, 1 MB)
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Raoul Hausmann, Le portrait corrigé (The Adjustet Portrait), 1946/47, MACHV – Château de Rochechouart, © VG Bild-Kunst, Bonn 2025, Repro: © MACHV – Château de Rochechouart and Berlinische Galerie/Anja Elisabeth Witte (JPG, 811 KB)
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Raoul Hausmann, OFFEAH, Typographical Arrangement, Poster Poem, 1918, © VG Bild-Kunst, Bonn 2025, Repro: © Berlinische Galerie/Anja Elisabeth Witte (JPG, 1 MB)
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Raoul Hausmann, Untitled (Eye in Magnifying Glass), February 1931, © VG Bild-Kunst, Bonn 2025, Repro: © Berlinische Galerie/Anja Elisabeth Witt (JPG, 876 KB)
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Raoul Hausmann, Untitled (Torn Shapes II), December 24, 1970, MACHV – Château de Rochechouart, © VG Bild-Kunst, Bonn 2025, Repro: © MACHV – Château de Rochechouart and Berlinische Galerie/Anja Elisabeth Witte (JPG, 2 MB)
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Raoul Hausmann, Untitled (Portrait of Hannah Höch), c. 1916, Private Collection, © VG Bild-Kunst, Bonn 2025, Repro: © Gudrun de Maddalena (JPG, 2 MB)
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Raoul Hausmann, Untitled (Self-Portrait), 1905, MACHV – Château de Rochechouart, © VG Bild-Kunst, Bonn 2025, Repro: © MACHV – Château de Rochechouart and Berlinische Galerie/Anja Elisabeth Witte (JPG, 1 MB)
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Raoul Hausmann, Opossum, 1963, MACHV – Château de Rochechouart, © VG Bild-Kunst, Bonn 2025, Repro: © MACHV – Château de Rochechouart and Berlinische Galerie/Anja Elisabeth Witte (JPG, 2 MB)
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Robert Sennecke, Untitled (Hannah Höch and Raoul Hausmann at the first International Dada Fair), 1920, © Copyright has expired, Repro: © Berlinische Galerie/Anja Elisabeth Witte (JPG, 2 MB)
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Unknown Photographer, Mechanical Head (The Spirit of Our Time), c. 1920, Repro: © Berlinische Galerie/Anja Elisabeth Witte (JPG, 1 MB)
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