Alicja
Kwade

In Abwesenheit (In Absence)

The work of Alicja Kwade (*1979) is inspired by scientific, philosophical and social enquiry. She engages in her sculptures with models and constructs that inform our perceptions of reality, questioning the potential for subjective and objective knowledge.

kleine Glasbehälter mtit verschiedenen Materialien gefüllt
Alicja Kwade, Self portrait, 2020 (detail)
© Courtesy of the artist; KÖNIG GALERIE, Berlin/ London/ Seoul/ Decentraland, Foto: Roman März

“In Abwesenheit” (In Absence) is founded on recent works by Kwade that might in a broad sense be read as self-portraits. The artist explores how a person and their physical presence in space can be described from various methodological perspectives.

The work “Self-Portrait” consists of 24 glass ampoules containing, in pure form, the chemical elements that make up the human body. There is a large installation based on the artist’s fully sequenced DNA, printed out on 314,000 pages of paper. The human genome in the digital era is also the theme of the bronze stelae: here the artist has shaped numerous overlapping smartphones into a double helix.

The central piece locates an individual physically in time and space. A ring of black steel in the middle of the hall reaches almost to the ceiling. 24 loudspeakers have been mounted on it and transmit the artist’s heartbeat into the exhibition room.

The show was conceptualised in 2019 and was originally scheduled for spring 2020, but the opening was postponed until autumn 2021 due to the Covid-19 pandemic.

In the book accompanying the exhibition, Kwade presents historical and contemporary illustrations of some of those systems which serve directly or indirectly as a reference framework for her works. The visual material ranges from anatomical drawings and historical maps to atomic structures seen through an electron microscope. Like Kwade’s works themselves, these illustrations are aesthetic visualisations of abstract scientific and philosophical theories. The chosen images thus constitute both a collection of materials and a record of the research process undertaken by the artist. At the same time, they create a subtext that connects with the works to form narrative structures.

Kwade’s site-specific installation in the first big exhibition hall is the latest addition to the successful format devoted by the Berlinische Galerie to in-situ projects by contemporary artists working in this city. Kwade studied at Berlin’s University of the Arts from 1999 to 2005 and is now one of the most sought-after artists in the international arena. She has recently exhibited in, among other places, New York, Tours, Helsinki, Copenhagen, Zurich, Barcelona, Shanghai, Reykjavik, Venice and London.

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